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Maria Felix was a Mexican actress and singer who along with Pedro Armendáriz and Dolores del Río, was one of the most successful figures of Latin American cinema in the 1940s and 1950s.
Maria Felix is best known for her role in the film Doña Bárbara, where she took on the character of a strong woman beyond the traditional roles of Latin American women. Maria Felix’s performance was so powerful that she was called “La Doña” in honor of her unforgettable character.
Maria Felix is a one-of-a-kind beauty with ambition, intelligence, drive, and social conscience. In honor of her legacy, Mattels honored her with a new Barbie. She is considered one of the most beautiful actresses of the golden age of Mexican cinema. Her strong personality and refined taste earned her the title of diva at the start of her career.
Maria Felix is known as La Doña, a name derived from her character in Doña Bárbara (1943), and María Bonita, thanks to a hymn composed by her second husband, Agustín Lara for her as a wedding gift. Her acting career includes 47 films produced in Mexico, Spain, France, Italy, and Argentina.
Maria Felix Biography
María de los Ángeles Félix Güereña born on April 8, 1914, and died on April 8, 2002, was a Mexican actress and singer who along with Pedro Armendáriz and Dolores del Río was one of the most successful figures of Latin American cinema of the 1940s and 1950s.
She is considered one of the most beautiful actresses of the golden age of Mexican cinema. Her strong personality and refined taste earned her the title of diva at the start of her career. She is known as La Doña, a name derived from her character in Doña Bárbara (1943), and María Bonita, thanks to a hymn composed by her second husband, Agustín Lara for her as a wedding gift. Her acting career includes 47 films produced in Mexico, Spain, France, Italy, and Argentina.
Maria de los Angeles Felix Guereña was born on April 8, 1914, in Alamos, Sonora, Mexico but her birth was registered on May 4, which was later misreported as her date of birth. She is the daughter of Bernardo Felix Flores, an army officer and politician of distant Yaqui descent, and Josefina Guereña Rosas, who grew up in the United States Army California State; both are of Mexican Basque descent.
She has fifteen brothers and sisters named Josefina, María de la Paz, Pablo, Bernardo, Miguel, María de las Mercedes, Fernando, Victoria Eugenia, Ricardo, Benjamín, and Ana María del Sacramento. When María was 17 years old, she was crowned Miss at the University of Guadalajara. It was during this time that she met Enrique Álvarez Alatorre, a salesman for the cosmetics company Max Factor.
After a brief romance, the couple married in 1931. In 1935, Maria Félix gave birth to their only child, Enrique, nicknamed Quique. Her marriage to Álvarez was unsuccessful and the two divorced in 1937. After their divorce, Maria Félix returned to Guadalajara with her family, where she was the subject of gossip and rumors due to her divorced status. Because of these circumstances, she decided to move to Mexico City with her son.
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In Mexico City, she works as a receptionist in a plastic surgeon’s office and lives in a guesthouse. One day, her son’s father visited the child and deliberately refused to return the boy to his mother. Álvarez took the child to Guadalajara. Maria Félix’s son was found with the help of Agustín Lara, her second husband. They plan an elaborate recovery to trick the grandmother and capture the child.
One afternoon, after work, while she was walking down the street in Mexico City, director, and filmmaker Fernando Palacios approached her to ask if she wanted to make a movie. Her answer is:
“When I want it, it’ll come through the front door.” Palacios eventually convinced her to get into acting. Becoming his “Pygmalion”, he began to train her and introduce her to the film world.
She made her debut in the “Black and White Ballroom” of the Mexico City Country Club, which brought together some of the big stars of Mexican cinema of the time (Esther Fernández, Lupe Vélez, Andrea Palma). She was eventually taken to Hollywood, to Metro-Goldwyn-Mayer Studios, where she met Cecil B. DeMille, who offered to start his film career in Hollywood, but Maria Felix was not interested. She wants to start her career in her country. Finally, thanks to Palacios, she was invited by Grovas Productions to play the female lead in a movie: El Peñón de las Ánimas, directed by Miguel Zacarías.
Maria Félix was known as La Doña for her role in the movie Doña Bárbara (1943), based on the novel by the Venezuelan writer Rómulo Gallegos. Félix debuted in the European cinema in Spain, with the film Mare Nostrum (1948), directed by Rafael Gil. In 1951, she filmed the French-Spanish production La Couronne Noire directed by Luis Saslavsky based on a story by Jean Cocteau. She debuted in Italy with the film Incantesimo Tragico (1951). Maria Felix is known for Juana Gallo (1960), La bandida (1963), Amor y sexo (Sapho ’63, 1963)), and La Valentina (1966).
Maria Felix has been married four times. Her first marriage (1931-1938) was to cosmetics dealer Enrique Álvarez Alatorre. He fathered her only child, actor Enrique Álvarez Félix. According to journalist Sergio Almázon, she once saw her son in a white dress and necklace. Enraged, she knocks him unconscious. Álvarez retaliated by taking their son to Guadalajara. Years later, Félix was able to bring her son back with the help of her second husband, Agustín Lara.
Maria Felix’s relationship with her son diverged during the early years of her life when she sent him to schools abroad to “discipline him”. Years later, Enrique returned to Mexico and began his acting career in film and television. Regarding his son, Félix said: “Enrique is a very gifted man, with admirable common sense. He’s my best friend. I have so much fun with him. He’s not a ‘mama’s boy’ as many believe. Self-employed, fight like being independent. He has his own career, his audience, his poster, and assumes his responsibilities without relying on me.” Enrique’s sudden death from a stroke A heart attack in 1996 affected Félix greatly.
There are conflicting rumors that, between her marriages to Enrique Álvarez and Agustín Lara, Maria Félix was briefly married to Raúl Prado, a member of the Trio Calaveras, but there is no concrete evidence for it.
Most rumors agree that Prado and Félix married in 1943 after meeting on the set of The Rock of Souls and breaking up two months after the wedding. Mexican writer Enrique Serna interviewed the last survivor of the trilogy, Miguel Bermejo, who told him he had witnessed the wedding.
Prado’s niece, María Escalera, also attested to the marriage, stating that the marriage ended when Agustín Lara sent Maria Félix a white piano as a gift, and “Raúl sent her away with the piano. Then they divorced. So it looks like María Félix is mine purple poliítica [aunt-in-law].”
Her second marriage (1945-1947) was to composer Agustín Lara. Maria Felix has been a fan of Lara since he was a teenager. They were officially introduced by a mutual friend, actor Tito Novaro. The couple began a highly publicized relationship, culminating in their marriage in 1945.
Lara immortalized Maria Félix in several songs, such as “Humo en los ojos” (“Humo en los ojos” (“Humo en los ojos” (“Humo en los ojos” (“Humo en los ojos”) (“Humo en los ojos” (“Humo en los ojos”) Smoke in the Eye”), “Cuando vuelvas” (“When you return”), “Dos puñales” (“Two daggers”), “Madrid” and above all the famous theme “María Bonita”, lighted up partnered at Acapulco on their honeymoon.
“María Bonita” would become one of Lara’s most popular songs. However, the relationship ended in 1947 due to Lara’s jealousy. Maria Félix says that Lara even tried to kill her in a fit of jealousy. Following her second divorce, Maria Félix was romantically linked to famous men, such as Mexican aviation businessman Jorge Pasquel, Spanish bullfighter Luis Miguel Dominguín and Argentine actor Carlos Thompson. Félix met Thompson in Argentina in 1952 while filming Luis César Amadori’s La pasión desnuda, and the relationship was said to be so serious that they became engaged, and Félix even called her son Enrique Álvarez Félix over meet his potential stepfather.
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However, during filming, Maria Félix received a call from director Emilio Fernández inviting her to star in The Rapture, to which Félix accepted, telling Thompson that after filming La pasión desnuda, she would return to Mexico. to promote the film and announce their future. However, once in Mexico, Felix called off the wedding a few days before it happened, saying she had concluded that the only thing that bound her to Thompson was physical attraction and not true love.
Maria Félix had a brief affair with Cau. From late 1950 to spring 1954, Félix also had a passionate same-sex affair with Suzanne Baulé, better known as Frede, who later operated the bistro Le Carroll’s rue de Ponthieu in Paris, and the two women lived together at the hotel. Maria Félix and Frede’s relationship was severed due to Félix’s marriage to Jorge Negrete, but upon Negrete’s death in 1953, Félix returned to Paris to briefly resume her relationship with Frede.
Her fourth marriage (1956-1974) was to French-Romanian banker Alexander Berger. Félix met Berger in the 1940s when the two were married. Years later, they meet again. Felix has been married to Berger for 18 years. She tries to become a mother again, but an accident during filming in 1957 causes Félix to lose her baby. Her last romantic relationship was French-Russian painter Antoine Tzapoff. About him, Felix said: I don’t know if you’re the one who loves me the most, but you’re the one who loves me the most.
María Félix died in her sleep on April 8, 2002, her 88th birthday in Mexico City. She was buried in her family mausoleum along with her son Enrique and her parents at Panteón Francés in Mexico City. In 2018, Google celebrated Maria Felix’s 104th birthday with a Google Doodle. The skeleton version of Felix makes a brief appearance in the 2017 Pixar film Coco, as a guest at a party in the land of the dead, with Luchador El Santo as the date.
On July 21, 2022, TelevisaUnivision produced the biopic María Félix: La Doña, starring Sandra Echeverría, which was released on the Vix streaming service.
Maria Felix’s Nationality
Maria Felix was a Mexican born in Álamos, Mexico.
Maria Felix’s Net Worth
Maria Felix reportedly had a net worth between $1 – $5 million
Where is Maria Felix from?
Maria Felix is from Álamos a town in Álamos Municipality in the Mexican state of Sonora, in northwestern Mexico. Historically an important center of silver mining, the town’s economy is now dominated by the tourist sector.
How old is Maria Felix?
Maria Felix died at the age of 88 since she was born on April 8, 1914
Maria Felix’s Height & Weight
Maria Felix was 5 ft 9 in / 175 cm tall and weighed 141 lb / 64 kg
Maria Felix’s Career
Palacios eventually convinced her to get into acting after they first met. Becoming his “Pygmalion”, he began to train her and introduce her to the film world.
Maria Felix made her debut in the “Black and White Ballroom” of the Mexico City Country Club, which brought together some of the big stars of Mexican cinema of the time (Esther Fernández, Lupe Vélez, Andrea Palma). She was eventually taken to Hollywood, to Metro-Goldwyn-Mayer Studios, where she met Cecil B. DeMille, who offered to start his film career in Hollywood, but Maria Felix was not interested. She wants to start her career in her country.
Finally, thanks to Palacios, she was invited by Grovas Productions to play the female lead in a movie: El Peñón de las Ánimas, directed by Miguel Zacarías. In Mexico City, she works as a receptionist in a plastic surgeon’s office and lives in a guesthouse.
Maria Félix was known as La Doña for her role in the movie Doña Bárbara (1943), based on the novel by the Venezuelan writer Rómulo Gallegos. Félix debuted in the European cinema in Spain, with the film Mare Nostrum (1948), directed by Rafael Gil. In 1951, she filmed the French-Spanish production La Couronne Noire directed by Luis Saslavsky based on a story by Jean Cocteau. She debuted in Italy with the film Incantesimo Tragico (1951). Maria Felix is known for Juana Gallo (1960), La bandida (1963), Amor y sexo (Sapho ’63, 1963)), and La Valentina (1966).
She is considered one of the most beautiful actresses of the golden age of Mexican cinema. Her strong personality and refined taste earned her the title of diva at the start of her career. She is known as La Doña, a name derived from her character in Doña Bárbara (1943), and María Bonita, thanks to a hymn composed by her second husband, Agustín Lara for her as a wedding gift. Her acting career includes 47 films produced in Mexico, Spain, France, Italy, and Argentina.
Maria Felix’s Marital Status
Maria Felix has been married four times. Her first marriage (1931-1938) was to cosmetics dealer Enrique Álvarez Alatorre. He fathered her only child, actor Enrique Álvarez Félix.
Her second marriage (1945-1947) was to composer Agustín Lara. Maria Felix has been a fan of Lara since he was a teenager. They were officially introduced by a mutual friend, actor Tito Novaro. The couple began a highly publicized relationship, culminating in their marriage in 1945.
Her third marriage was to Jorge Negrete, but upon Negrete’s death in 1953, Félix returned to Paris to briefly resume her relationship with Frede.
Her fourth marriage (1956-1974) was to French-Romanian banker Alexander Berger. Félix met Berger in the 1940s when the two were married.
Maria Felix’s Family & Siblings
Maria Felix is the daughter of Bernardo Felix Flores, an army officer and politician of distant Yaqui descent, and Josefina Guereña Rosas, who grew up in the United States Army California State; both are of Mexican Basque descent.
She has fifteen brothers and sisters named Josefina, María de la Paz, Pablo, Bernardo, Miguel, María de las Mercedes, Fernando, Victoria Eugenia, Ricardo, Benjamín, and Ana María del Sacramento.
Why is Maria Felix famous?
Maria Felix is famous for being one of the most emblematic figures and also for having a very controversial romantic life. She also reigned as the supreme goddess of Spanish-language cinema.
Maria Felix’s Children
Maria Felix was the mother of Enrique Álvarez Félix a Mexican actor, known for his roles in telenovelas and in films, such as The Monastery of the Vultures and The House of the Pelican. Enrique Álvarez Félix died from a heart attack in the early morning of Friday, May 24, 1996, at the age of 62.
Maria Felix’s Social Media
Maria Felix was not on any social media platform before her death but has a fun page on Instagram.
Source: www.Ghgossip.com
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